[doc/texmf] / zrmkern.mtx

\relax

% The following adjustments (as originally derived by Alan Jeffrey)
% are tuned for Times-Italic and non-oblique Adobe Symbol.

\metrics

\needsfontinstversion{1.800}

% \shiftglyph takes four parameters:
%
% #1 the name of the glyph
% #2 the amount of extra space at the left
% #3 the amount of extra space at the right
% #4 the amount of extra space for subscripts

\setcommand\shiftglyph#1#2#3#4{
   \resetglyph{#1}
      \movert{#2}
      \glyph{#1}{1000}
      \movert{#4}
      \resetitalic{\add{\italic{#1}}{\sub{#3}{#4}}}
   \endresetglyph
}

% \skewkern sets a skewchar kern, assuming that `tie'
%  is the skewchar.
%
% #1 the name of the glyph
% #2 the amount of skewchar kerning

\setcommand\skewkern#1#2{\setkern{#1}{tie}{#2}}


% A
% B
\shiftglyph{C}{-50}{0}{-25}
% D
\shiftglyph{E}{0}{50}{0}
\shiftglyph{F}{0}{50}{-100}
% G
\shiftglyph{H}{0}{25}{-25}
\shiftglyph{I}{0}{0}{-25}
\shiftglyph{J}{0}{0}{-25}
\shiftglyph{K}{0}{0}{-25}
% L
% M
\shiftglyph{N}{0}{0}{-25}
% O
\shiftglyph{P}{0}{0}{-100}
% Q
% R
% S
\shiftglyph{T}{0}{50}{-75}
\shiftglyph{U}{-50}{50}{-25}
\shiftglyph{V}{-50}{50}{-50}
\shiftglyph{W}{-50}{50}{-50}
\shiftglyph{X}{0}{50}{-25}
\shiftglyph{Y}{-50}{50}{-50}
% Z

% a
\shiftglyph{b}{0}{-25}{0}
% c
\shiftglyph{d}{0}{25}{0}
% e
\shiftglyph{f}{150}{0}{25}
\shiftglyph{g}{0}{-50}{0}
% h
% i
\shiftglyph{j}{150}{25}{0}
% k
\shiftglyph{l}{0}{50}{0}
% m
% n
\shiftglyph{o}{0}{-50}{0}
\shiftglyph{p}{75}{-25}{0}
% q
% r
% s
\shiftglyph{t}{-25}{50}{0}
% u
% v
% w
% x
% y
% z

\shiftglyph{Upsilon}{0}{0}{-150} % was: -50 -100, adds up to -150
\shiftglyph{weierstrass}{-100}{-200}{-150}

\skewkern{A}{75}
\skewkern{B}{100}
\skewkern{C}{100}
\skewkern{D}{50}
\skewkern{E}{75}
\skewkern{F}{75}
\skewkern{G}{100}
\skewkern{H}{50}
\skewkern{I}{100}
\skewkern{J}{200}
\skewkern{K}{75}
% L
\skewkern{M}{100}
\skewkern{N}{25}
\skewkern{O}{100}
\skewkern{P}{100}
\skewkern{Q}{100}
\skewkern{R}{100}
\skewkern{S}{100}
\skewkern{T}{50}
\skewkern{U}{50}
\skewkern{X}{50}
\skewkern{Z}{50}

\skewkern{a}{75}
% b
\skewkern{c}{75}
\skewkern{d}{200}
\skewkern{e}{75}
\skewkern{f}{150}
\skewkern{g}{75}
% h
\skewkern{i}{75}
\skewkern{j}{150}
% k
\skewkern{l}{100}
\skewkern{m}{50}
\skewkern{n}{50}
\skewkern{o}{75}
\skewkern{p}{100}
\skewkern{q}{75}
\skewkern{r}{50}
\skewkern{s}{100}
\skewkern{t}{50}
\skewkern{u}{75}
\skewkern{v}{75}
\skewkern{w}{75}
\skewkern{x}{75}
\skewkern{y}{75}
\skewkern{z}{50}

\skewkern{dotlessi}{50}
\skewkern{dotlessj}{50}

\skewkern{upsilon}{25}
\skewkern{iota}{-50}
\skewkern{lambda}{-75}
\skewkern{weierstrass}{175}
\skewkern{lscript}{125}

\resetglyph{vector} 
   \movert{-100} 
   \glyph{vector}{1000} 
   \movert{100}
\endresetglyph

\endmetrics
Commit	Line	Data
447204a5 MW	1	\relax
	2
	3	% The following adjustments (as originally derived by Alan Jeffrey)
	4	% are tuned for Times-Italic and non-oblique Adobe Symbol.
	5
	6	\metrics
	7
	8	\needsfontinstversion{1.800}
	9
	10	% \shiftglyph takes four parameters:
	11	%
	12	% #1 the name of the glyph
	13	% #2 the amount of extra space at the left
	14	% #3 the amount of extra space at the right
	15	% #4 the amount of extra space for subscripts
	16
	17	\setcommand\shiftglyph#1#2#3#4{
	18	\resetglyph{#1}
	19	\movert{#2}
	20	\glyph{#1}{1000}
	21	\movert{#4}
	22	\resetitalic{\add{\italic{#1}}{\sub{#3}{#4}}}
	23	\endresetglyph
	24	}
	25
	26	% \skewkern sets a skewchar kern, assuming that `tie'
	27	% is the skewchar.
	28	%
	29	% #1 the name of the glyph
	30	% #2 the amount of skewchar kerning
	31
	32	\setcommand\skewkern#1#2{\setkern{#1}{tie}{#2}}
	33
	34
	35	% A
	36	% B
	37	\shiftglyph{C}{-50}{0}{-25}
	38	% D
	39	\shiftglyph{E}{0}{50}{0}
	40	\shiftglyph{F}{0}{50}{-100}
	41	% G
	42	\shiftglyph{H}{0}{25}{-25}
	43	\shiftglyph{I}{0}{0}{-25}
	44	\shiftglyph{J}{0}{0}{-25}
	45	\shiftglyph{K}{0}{0}{-25}
	46	% L
	47	% M
	48	\shiftglyph{N}{0}{0}{-25}
	49	% O
	50	\shiftglyph{P}{0}{0}{-100}
	51	% Q
	52	% R
	53	% S
	54	\shiftglyph{T}{0}{50}{-75}
	55	\shiftglyph{U}{-50}{50}{-25}
	56	\shiftglyph{V}{-50}{50}{-50}
	57	\shiftglyph{W}{-50}{50}{-50}
	58	\shiftglyph{X}{0}{50}{-25}
	59	\shiftglyph{Y}{-50}{50}{-50}
	60	% Z
	61
	62	% a
	63	\shiftglyph{b}{0}{-25}{0}
	64	% c
65	\shiftglyph{d}{0}{25}{0}
66	% e
67	\shiftglyph{f}{150}{0}{25}
68	\shiftglyph{g}{0}{-50}{0}
69	% h
70	% i
71	\shiftglyph{j}{150}{25}{0}
72	% k
73	\shiftglyph{l}{0}{50}{0}
74	% m
75	% n
76	\shiftglyph{o}{0}{-50}{0}
77	\shiftglyph{p}{75}{-25}{0}
78	% q
79	% r
80	% s
81	\shiftglyph{t}{-25}{50}{0}
82	% u
83	% v
84	% w
85	% x
86	% y
87	% z
88
89	\shiftglyph{Upsilon}{0}{0}{-150} % was: -50 -100, adds up to -150
90	\shiftglyph{weierstrass}{-100}{-200}{-150}
91
92	\skewkern{A}{75}
93	\skewkern{B}{100}
94	\skewkern{C}{100}
95	\skewkern{D}{50}
96	\skewkern{E}{75}
97	\skewkern{F}{75}
98	\skewkern{G}{100}
99	\skewkern{H}{50}
100	\skewkern{I}{100}
101	\skewkern{J}{200}
102	\skewkern{K}{75}
103	% L
104	\skewkern{M}{100}
105	\skewkern{N}{25}
106	\skewkern{O}{100}
107	\skewkern{P}{100}
108	\skewkern{Q}{100}
109	\skewkern{R}{100}
110	\skewkern{S}{100}
111	\skewkern{T}{50}
112	\skewkern{U}{50}
113	\skewkern{X}{50}
114	\skewkern{Z}{50}
115
116	\skewkern{a}{75}
117	% b
118	\skewkern{c}{75}
119	\skewkern{d}{200}
120	\skewkern{e}{75}
121	\skewkern{f}{150}
122	\skewkern{g}{75}
123	% h
124	\skewkern{i}{75}
125	\skewkern{j}{150}
126	% k
127	\skewkern{l}{100}
128	\skewkern{m}{50}
129	\skewkern{n}{50}
130	\skewkern{o}{75}
131	\skewkern{p}{100}
132	\skewkern{q}{75}
133	\skewkern{r}{50}
134	\skewkern{s}{100}
135	\skewkern{t}{50}
136	\skewkern{u}{75}
137	\skewkern{v}{75}
138	\skewkern{w}{75}
139	\skewkern{x}{75}
140	\skewkern{y}{75}
141	\skewkern{z}{50}
142
143	\skewkern{dotlessi}{50}
144	\skewkern{dotlessj}{50}
145
146	\skewkern{upsilon}{25}
147	\skewkern{iota}{-50}
148	\skewkern{lambda}{-75}
149	\skewkern{weierstrass}{175}
150	\skewkern{lscript}{125}
151
152	\resetglyph{vector}
153	\movert{-100}
154	\glyph{vector}{1000}
155	\movert{100}
156	\endresetglyph
157
158	\endmetrics